Finishing question

[Scott Hargrove]

I have had this same problem with water-based spray polyurethane, and now with oil-based polyurethane in a quart sized can. I get a nice glossy finish, but with a spot that just seems to suck in whatever I put on it and still end up dull. This bowl is an example of that. The whole outside looks good, and much of the inside, except for that "dry" spot. It's a piece of pecan, spalted, but not punky.
I've read that this is caused by not mixing the polyurethane enough, but for the same area to show up dry after several coats, I'm thinking there's another issue. I had assumed that the first coat would seal the wood and stop it from absorbing more of the finish, so that the second coat would be uniform. Nope. Not the third, or the fourth either.
Obviously, finishing chemistry and technique is not my strong suit. I was simply applying Minwax pastewax to my pieces, but I wanted a little more shine. I've used polyurethane for other projects in the past, and I've never seen this before.
Help?

 

[Jonathan Silwones]

Straight poly or thinned?
It isn't about mixing the poly. The finish is soaking in.
Try wet sanding the first coat at 320 grit. this can help seal even large pores.

 

[Scott Hargrove]

Straight, not thinned.
Wet sanding seals pores? That's a new one for me. I sanded with 320, but not wet sanding.

 

[Jon Rista]

Is it that knot? If so, knots often have different grain orientation, and they may expose a lot of endgrain, which will soak up a lot more finish, often for quite some time. If you don't like the notion of wet sanding, you could try to seal that off with a sanding sealer first, something compatible with your finish, then finish. You likely will still see some finish still soaking in, but it should stop a lot faster as well.

 

[Jonathan Silwones]

Straight, not thinned.
Wet sanding seals pores? That's a new one for me. I sanded with 320, but not wet sanding.

My favorite wood is oak, and red oak is very porous. Wet sanding does a great job. May not work for your situation, but can't hurt to try on a test piece.

 

[Richard Coers]

Finishing wood is all about preparation. In your case that means getting all the pores sealed shut. You need to start with a sanding sealer, or vinyl sealer, until there are no dry spots.

 

[John K Jordan]

Try wet sanding the first coat at 320 grit. this can help seal even large pores.

Wet sanding seals pores? That's a new one for me.

I often wet sand with the finish before applying the final finish coat(s), especially with wood that's somewhat porous. I often finish with "danish" oil. (I rarely turn red oak but even cherry, walnut, and ERC can soak up a LOT of oil in some spots on the early coats.) Wet sanding can remove tiny wood particles, mix them with the oil, and force them into the pores where they can dry and fill the pores. Might take more than one application so repeat as needed.

Since I often use oil as a finish I'll sand, apply a coat of oil (as much as it will take). If it soaks in in places I continue to apply oil until I can see no more dull spons. Wipe the surface oil off after 30 minutes, and let it dry over night. If some spots have soaked up too much oil, repeat with more oil and wet sand, with 600 grit. I back the sandpaper up with a soft rubber eraser and sand by hand. For oil I usually apply at least 6 coats over as many days. (Not a finish for those in a hurry!)

I don't wet sand as part of my "normal" finishing routine, only if I see it's needed.

Some pieces benefit from a coat or two of sanding sealer before any finish coat, oil, poly, etc. Apply, let dry, and sand. Repeat if necessary. Can even wet sand problem areas with the sealer. I typically use shellac-based sanding sealer since it's more-or-less a universal undercoat. I'll do this under spray lacquer, oil, poly, etc. Sometimes I use 0000 steel wool instead of 600 grit sandpaper.

Long ago John Lucas taught me another wet sanding trick that can even fill small voids or invisibly repair a small spot chip-out - sand with medium CA glue with a coarse paper like 220 or 320. (Put the CA on the sandpaper, NOT the wood!- applying it to the wood can cause an ugly CA stain.) Sanding the spot with the CA-dampened coarse sandpaper then picks up wood of the same color from around the defect, coats it with CA, and forces it into the defect. I've used this several times with success.

Another thing gunstock makers sometimes use is pad the surface with pumice, especially on walnut. This will fill the walnut pores and smooth the surface at the same time. Repeat with rottenstone before applying finish. This method can leave an incredible feel to the stock. I bought pumice and rotten stone once when helping a friend finish a gunstock he made from scratch.

JKJ

 

[Scott Hargrove]

rotten stone

I'd never heard of rotten stone before... had to look that up. Makes sense to fill the porous woods, though. Thanks.

 

[Kent Reisdorph]

You could try a 1# cut of shellac before your final sanding grit.

 

[Steve Worcester]

out a few coast on with it mixed 50/50 with whatever is a thinner for it. Then try a full strength coat.
The dry spot is from that portion of the wood taking in extra finish. I would normally put several coats on

 

[John K Jordan]

I'd never heard of rotten stone before... had to look that up. Makes sense to fill the porous woods, though. Thanks.

Pumice comes in several fine grits but Rottenstone is finer than pumice. .
Both are used by "padding": wrap a cloth around a wad of cotton ball, tie with string, use something to lubricate, sprinkle on the abrasive powder (or press into a little ona flat surface, rub, repeat. For more, ask Sir Google for "how to use pumice on wood by padding", a old method used by traditional fine furniture makers, musical instrument makers.

JKJ