Jovan,
For 10 years back in the late 70's and early 80's I was making a few production lines of small work - not turned- and some one-of-a-kind higher end pieces. I retailed all of it at summer art fairs and sold some of the production work through galleries.
My pricing structure of the production began with a wholesale price - which is what I received from the galleries, and then doubled for retail from my booth or studio. The higher end work never saw the inside of a gallery as they wanted to take the expensive stuff on consignment and I didn't want put the best work at risk or take it out of my show work.
Back then, I made more gross from production work in galleries at wholesale prices than from the expensive unique stuff I sold myself. I'd get an order, stop whatever I had going in the studio, run the production to fill the order, send it off and get a check back in the mail. Good for the bottom line! It did not compare, however, with meeting the customer face-to-face and taking the "big money" in person let alone getting together with comrades in crime on the fair circuit.
I'm back out on the summer fair routine again (for the 5th year coming up) and no longer make production pieces - all at least beginning with the lathe - so am retailing everthing I make. Looking at my bottom-line, I sometimes long for those old orders coming in from galleries. However, I've reached that stage of life (gainfully self-unemployed) that the making and exploring forms and ideas has become the bottom-line.
I guess I'd say that if you are going to retail your own work, you just charge what your own situation requires. If are going to wholesale for resale, or sell in quantity for discount, you will need to figure what you need for your time, overhead, profit (not just for you, but for your shop, as well) and use that as a beginning price. If you wholesale, or quantity discount at that price, then remember that when you sell, you are the retailer and need the retailer's profit as well. Typically double wholesale.
All the best,