I recently finished a couple of similar odd pieces that I pondered for weeks trying to decide what to do with them. In the end I did as Dave mentioned, trimmed the ends until I got a better sense of what I had to work with. Ended up with two nice hollow forms with inclusion areas. Took a bit of turn a bit, reposition, turn a bit, reposition again, etc but if you accept the cracks, knots and inclusions as part of the look you might find a treasure in there. The key for mine was to view the ends to get just enough material for a stable neck opening and a bottom, even if off center from the pith. What happens in between was going to be whatever survived the process. From the pic of the end of the piece maybe you could get something like this out of it.