• We just finished moving the forums to a new hosting server. It looks like everything is functioning correctly but if you find a problem please report it in the Forum Technical Support Forum (click here) or email us at forum_moderator AT aawforum.org. Thanks!
  • Beware of Counterfeit Woodturning Tools (click here for details)
  • Johnathan Silwones is starting a new AAW chapter, Southern Alleghenies Woodturners, in Johnstown, PA. (click here for details)
  • Congratulations to Peter Jacobson for "Red Winged Burl Bowl" being selected as Turning of the Week for April 29, 2024 (click here for details)
  • Welcome new registering member. Your username must be your real First and Last name (for example: John Doe). "Screen names" and "handles" are not allowed and your registration will be deleted if you don't use your real name. Also, do not use all caps nor all lower case.
"Seeing Red"
This is boxelder that has been enhanced with pyrography and prismacolor markers. It's 3x3. The black areas have been textured with a pyrography pen and colored black.
  • Like
Reactions: Ligia Rodrigues
another beautiful one -- you're pryography is great. what pen tip do you use for your lines?
 
Thank you -e-. I use the 10A to burn the grid, and for this piece, the 6A for the texture in the black areas.
 
I think I've seen this somewhere before. ;) And it's still a beautiful piece. How do you work out your design? And how many divisions are on the vessel?
 
Thanks Paul. I work out the design on the computer. I have a grid layout that I can use in Paint. Beyond that, it's trial and error. This particular piece has 64 divisions around and 21 high. It's a LOT of little blocks.....
 
Yes -e-, I do all the marking on the lathe. I use an index wheel to set the vertical spacing, then measure the spacing to set the horizontals so I have squares all the way up and down the piece.
 
I'm not sure I completely understand your question. The verticals are set by the index wheel which, by design, has even spacing all the way around. The horizontals are based on the spacing between the verticals, i.e. at the widest point on the piece, if the space between the verticals is 1/8", then the horizontals are spaced 1/8" apart. As the diameter changes, the space between the verticals changes, and the horizontals are adjusted accordingly to maintain squares. By maintaining squares, the pattern shrinks as the diameter is reduced towards the foot, but keeps its proportions, so you get a sense of depth without distortion.
I hope that answers your question.
 

Media information

Category
Member Galleries
Added by
pjreilly
Date added
View count
7,434
Comment count
8
Rating
0.00 star(s) 0 ratings

Image metadata

Filename
98401boxeldermosaic.jpg
File size
64.6 KB
Dimensions
778px x 750px

Share this media

Back
Top