I'm a big fan of numerous small-diameter lights - "point source" sized lights reveal scratches and things far better then broad, diffuse lights, such as rows of long lights mounted high on a ceiling - these tend to provide more diffuse lighting and will hide scratches rather then highlight them. For me, small dia lights positioned at a glancing angle to the work are the best.
My usual lighting. The four in the cluster are all easily movable on swing arms or flexible shafts. All are constructed or shielded to keep light out of my eyes.
The two near the ceiling and the one far past then end of the lathe provide wide, general lighting, but not as bright as what appears here. All of these come on with a single wall switch (the switch activates multiple 110v receptacles)
Most of the receptacles and wires are hidden behind a thin plywood "skirt" on the front of a narrow shelf to eliminate a lot of wire and plug clutter. Wires are guided and secured by short lengths of soft, flexible iron wire fastened up inside the space behind the small shelf skirt with small screws.
A second switch turns on the ceiling-mounted 8' T5 if I'm working in that area but not turning.
When turning the main room lights on the ceiling are all off.
I have a similar arrangement at the bandsaw with three lights activated by a single wall switch.
This lighting design was planned at the beginning but evolved a little over time. Works for me.
BTW, for a WTW SuperNova I found a good mounting place on one of the included brackets behind the lathe. I removed bulky magnet and drilled and tapped a hole in the cast iron to fit the threaded end of the flexible shaft. (Cast iron is very easy to drill and tap.)
JKJ